
Richard Morris Hunt:
In a New Light
Richard Morris Hunt (1827-1895) was America’s premier Gilded Age architect, but his effort to transform both the built and the cultural landscapes of America is his greatest legacy. This exhibition will examine Hunt’s achievements in a new light, presenting his lived experience and how it is reflected in his life’s work: a pursuit of national pride in art and architecture.
Hunt believed America needed “culture.” As he witnessed a succession of political uprisings and cultural change in Paris during his days as a student at the École des Beaux-Arts, Hunt also experienced how the arts and building trades communicated national identity. Elevating architecture’s place in his home country became his greatest pursuit. Designing private, public, residential, business, recreational and civic structures resulted in a built environment reflecting the rapid changes of the 19th century.
Hunt was also a collector and aided his wealthy clients in acquiring significant works of fine and decorative art. This act of collecting reflected how he sought to influence the evolution of culture in America’s Gilded Age. He advanced appreciation of and education in the arts by contributing to the founding of museums, including the Metropolitan Museum of Art, and professional organizations like the American Institute of Architects.
For the first time, Hunt’s materials from the Library of Congress, Smithsonian National Portrait Gallery, Vermont Historical Society, Bennington Museum (Vt.) and the Preservation Society’s collection – including architectural and interior drawings, his personal sketchbooks and scrapbooks, and intimate family objects and collections – will be exhibited in one location. Together they provide deep insight into Hunt’s approach to culture, private and public collecting, and architectural practice.
Image above: Thomas Couture (1815-1879), Richard Morris Hunt, 1849 (detail). Courtesy National Portrait Gallery, Smithsonian Institution.
What you need to know
Newport, RI 02840
- Exhibition is included with admission to Rosecliff.
- Click here for information on admissions options: tickets, Access Pass or Preservation Society membership.
Hunt believed America needed “culture.” As he witnessed a succession of political uprisings and cultural change in Paris during his days as a student at the École des Beaux-Arts, Hunt also experienced how the arts and building trades communicated national identity. Elevating architecture’s place in his home country became his greatest pursuit. Designing private, public, residential, business, recreational and civic structures resulted in a built environment reflecting the rapid changes of the 19th century.
Hunt was also a collector and aided his wealthy clients in acquiring significant works of fine and decorative art. This act of collecting reflected how he sought to influence the evolution of culture in America’s Gilded Age. He advanced appreciation of and education in the arts by contributing to the founding of museums, including the Metropolitan Museum of Art, and professional organizations like the American Institute of Architects.
For the first time, Hunt’s materials from the Library of Congress, Smithsonian National Portrait Gallery, Vermont Historical Society, Bennington Museum (Vt.) and the Preservation Society’s collection – including architectural and interior drawings, his personal sketchbooks and scrapbooks, and intimate family objects and collections – will be exhibited in one location. Together they provide deep insight into Hunt’s approach to culture, private and public collecting, and architectural practice.
Image above: Thomas Couture (1815-1879), Richard Morris Hunt, 1849 (detail). Courtesy National Portrait Gallery, Smithsonian Institution.
Selected objects in the exhibition

Cassone, or wedding chest, described in the catalog of the Emile Gavet Collection and purchased by Alva and William Vanderbilt to be displayed in the Gothic Room at Marble House. Attributed to the workshop of Francesco di Giorgio (Sienna, 1439-1501) and possibly Neroccio de' Landi (Sienna, 1447-1500), ca. 1475. The Preservation Society of Newport County, PSNC.12603

18th-century French drawing of a colonnade, from the collection of Richard Morris Hunt. Gabriel Pierre Martin Dumont (French, ca. 1720-ca. 1790), 1786. Courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Richard Morris Hunt, Rendering for East Elevation of William K. and Alva Vanderbilt’s Marble House, ca. 1888. Courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Photograph of Richard Morris Hunt's studio in Newport, showing a plaster cast of his statue as a stonemason, conceived as a tribute to the architect for the roof of Petit Château in New York City. Frank H. Child (American), 1895. Reproduced courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Photograph of Richard Morris Hunt's studio in Newport. Frank H. Child (American), 1895. Reproduced courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Richard Morris Hunt, 1874 drawing of Cologne, Germany, showing the waterfront with boats, buildings and the Cologne Cathedral under construction. Courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Cassone, or wedding chest, described in the catalog of the Emile Gavet Collection and purchased by Alva and William Vanderbilt to be displayed in the Gothic Room at Marble House. Attributed to the workshop of Francesco di Giorgio (Sienna, 1439-1501) and possibly Neroccio de' Landi (Sienna, 1447-1500), ca. 1475. The Preservation Society of Newport County, PSNC.12603

18th-century French drawing of a colonnade, from the collection of Richard Morris Hunt. Gabriel Pierre Martin Dumont (French, ca. 1720-ca. 1790), 1786. Courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Richard Morris Hunt, Rendering for East Elevation of William K. and Alva Vanderbilt’s Marble House, ca. 1888. Courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Photograph of Richard Morris Hunt's studio in Newport, showing a plaster cast of his statue as a stonemason, conceived as a tribute to the architect for the roof of Petit Château in New York City. Frank H. Child (American), 1895. Reproduced courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Photograph of Richard Morris Hunt's studio in Newport. Frank H. Child (American), 1895. Reproduced courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Richard Morris Hunt, 1874 drawing of Cologne, Germany, showing the waterfront with boats, buildings and the Cologne Cathedral under construction. Courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.

Cassone, or wedding chest, described in the catalog of the Emile Gavet Collection and purchased by Alva and William Vanderbilt to be displayed in the Gothic Room at Marble House. Attributed to the workshop of Francesco di Giorgio (Sienna, 1439-1501) and possibly Neroccio de' Landi (Sienna, 1447-1500), ca. 1475. The Preservation Society of Newport County, PSNC.12603

18th-century French drawing of a colonnade, from the collection of Richard Morris Hunt. Gabriel Pierre Martin Dumont (French, ca. 1720-ca. 1790), 1786. Courtesy of the Hunt Collection in the AIA/AAF Collection, Prints and Photographs Division of the Library of Congress, Washington, D.C.
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Themed “A Floral Fair,” the 29th annual Show will combine the elegance of a Gilded Age fête with the good cheer of a summer county fair.

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Daily
10:00am
Explore the underground systems that made this great house a marvel of technology for its time.
June 1 - September 1, offered at 10 am & 2 pm

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Daily
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For the first time in the 129-year history of The Breakers, the private third-floor family space occupied by generations of Vanderbilts is open for public tours.

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See and hear how the other half lived. This tour will highlight the stories of some of the men and women who worked to service the social whirl of Newport during the Gilded Age.
June 1 - September 1, offered at 10 am, 12 pm & 2 pm

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